AUDIE has been a Professional Performer and Instructor of Belly Dance since 1996 and is also a Certified Fitness Instructor and Shiatsu Practitioner. She has studied, taught and performed extensively in the New Jersey/New York area. As a knowledgeable and Instructor, she is skilled in breaking down techniques for students’ understanding. Audie’s study of RaqSharki, Persian, Baladi and various Folkloric and North African tribal dances are evident in her dazzling performances.
AUDIE has performed Belly Dance at many notable events including at Rakkasah East in NJ, East Coast Classic in Virginia, Dangerous Curves in Michigan, Steam Punk Festival in New Jersey, New York Renaissance Festival. AUDIE has also performed Belly Dance at many restaurants and cafes including, Trend Café and Mediterranea in Montclair, New Jersey; Zen Safari Cafe in Poconos Pennsylvania; Marrakesh in Parsippany New Jersey, Wicked Faire, Princeton, NJ and many more.

 **Class Schedule Winter 2017-2018: 

  Egyptian Belly Dance Class:  Fun, Fitness and Aspiring Professional
Learn techniques of Cabaret and Folkloric Egyptian Dance, Cultural music, fun routines, costuming, cultural history and more. This beautiful sensuous dance is very effective as a low impact exercise. Students of all levels are welcome.
Mondays 730-8:30PM

Location: Verona Yoga & Wellness Center 546 Bloomfield Ave, Verona, NJ
Price: $12 for drop-ins, Class Cards 4 classes $45, 8 Classes $75. Purchase online or in person. Major credit cards accepted.  Purchase classes here:

**Workshop Schedule 2018

Workshops are held every 3rd Sunday* at Studio 108 289 Stuyvesant Ave Lyndhurst, NJ

Sunday January 21st 2PM  Explore The Golden Era Style of Belly Dance.  In this workshop students will learn the elegant and dramatic style of Egyptian belly dance during the 1940’s -1960’s.

Sunday February 18th 2PM Fun and Saucy Saidii. Learn the basics of Saidii with and without props and the origins of this fun and saucy dance.

Sunday March 18th 2PM Story Telling through your Dance.  Students will learn to emote in their movements using the dance to tell a story or promote a feeling.

April 15th  TBA 

May 20th  TBA

June 10th  TBA

COMING January, 2018: Online Belly Dance Classes. Can’t make it to my scheduled classes, but still want to enjoy the fun of belly dance? Soon you’ll be able to enjoy  classes anytime. anywhere. Stay tuned more info coming soon.


BELLYRHYTHM RETREAT: August 10th 2018, Monroe, NY

More information to come



* Audie is available for Events, Conferences, Parties, workshops and Classes. 

Please feel free to contact her at:,    973-280-6386,

FaceBook: Audie OS    and    Instagram: AudieOS .


* Introducing Audie’s Dance Troupe: The Daughters of HetHaru*


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Visit my page on YouTube 😉



Is Folkloric Dance Dead?

blue saidi
Although it’s not technically Belly Dance, Folkloric dances are an important part of the art of Belly Dance. They have rhythmic names like Saidii, Zar, Beladi, Khaleegy, Hagallah, Fellahi and have a soulful, earthy quality. They are the foundations of the dance unfortunately; their existence is often unknown to many of today’s dancers and audiences.

I have a fascinating video of Nagua Fuad from the 80’s. She begins her routine with a classic Raq Sharqi. Then she goes into a Saidii cane segment followed by a Hagallah and several other folkloric dances all with traditional costumes and authentic music. It was a stunning display of her technical skills. At the time it was expected that dancers would exhibit several different techniques in one set.

Leila Haddad, in her last big show in the states (2011?) had a repertoire similar to Nagua’s and included Afghani and Indian dances. This type of show today is the exception rather than the norm. A typical Belly Dancer’s routine today consists of a dramatic veil number, mid tempo instrumental, drum solo, and a finale. A sword dance is included more often than a traditional Saidii cane dance. Even though there are traditional sword dances, the style that is usually done is quite modern (and Western in technique).

Why the change? Several possibilities come to mind. There could be fewer Instructors who know these wonderful dances to teach to new students. Possibly there is little call for then by theatrical/club/restaurant producers. Time restrictions may prevent performers from doing anything other than popular routines. Or, maybe the student dancers themselves aren’t interested in learning, favoring styles with which they are more comfortable.

Whatever the reason, I personally hope the tide will change. I love the authentic earthiness of Folkloric dances and take classes in them every chance I get. These are the origins of what we do today. Yet they have been polished with sparkly costumes and tweaked with ballet techniques to appeal to general audiences. Not a bad thing, but why not remember and enjoy all aspects of this art form. Just like in the Girl Scout song about old and new friends, “…one is silver and the other’s gold”.